Anthony Plog on Music

Conversations with performers, composers, and entrepreneurs


Become a Contributing Listener!

As a Contributing Listener of "Anthony Plog on Music" you'll have access to extra premium content and benefits including:
  • Extra Audio Content: Only available to Contributing Listeners.
  • Podcast Reflections: Tony's written recaps and thoughts on past interviews (including valuable tips and suggestions for students) going all the way back to his first interviews in 2020.
  • Ask Me Anything: Both as written messages and occasional member-only Zoom sessions.
  • The Show's Discord Server: Where conversations about past interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music!
  • Can I just donate instead of subscribing? Absolutely!
  • Cancel at anytime and easily resubscribe when you want all the extra content again.



Clayton Haslop, Part 1: The Virtuoso Violinist - His life as an LA studio musician, and his relentless and creative fight against focal dystonia.

Anthony Plog, host
Eddie Ludema, producer

Date posted: Aug 20, 2024

Clayton Haslop's journey as a violinist has been nothing short of extraordinary. At just 18, he joined the Los Angeles Chamber Orchestra and rose to become its concertmaster. Over the years, he also served as concertmaster for the Los Angeles Opera Orchestra and contributed his talents to numerous iconic film scores, including Titanic, The Matrix, and many others. But Clayton's path wasn't always smooth. In his forties, he faced a daunting challenge when he was diagnosed with Focal Dystonia in his left hand. Despite years of struggle and bouts of depression, Clayton made a remarkable comeback by relearning to play the violin using only two fingers on his left hand. I'm especially honored to have this conversation with Clayton, as we were roommates in Santa Monica in the early 1980s. Although I was ten years his senior, I learned so much from him during those years. Speaking with him on this podcast is truly a privilege.

Part 1

In Part 1 of our conversation, we delve into what it’s like to be a concertmaster for some of the top studio orchestras, the experience of working on blockbuster films like Titanic and The Matrix, and collaborating with renowned film composers, each with their unique personalities and approaches to recording sessions. We also explore Clayton’s early years, including his studies with the legendary violinist Nathan Milstein, and discuss the beginnings of his career along with some key concepts from his Violin Mastery Course.

The podcast theme music, Four Sierra Scenes, written by Anthony Plog, is taken from Crystal Records S205, copyright ©1980 Crystal Records Inc., and is used by permission. Unauthorized duplication is not permitted.